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The work is particularly sophisticated from a harmonic and instrumental point of view, which are surely the aspects of the score that will be most evident on first hearing. (...)

And then there is the remarkable choir Vox Clamantis, whose founder and musical director, Jaan-Eik Tulve, is well known in France, where he studied and specialized in plainchant.

There are days when music can fix almost anything. A few weeks ago, I received this album, which I listened to several times during a black mass on Sunday.

We are faced with an eminently contemplative musical discourse, thanks to which each piece draws a unique, smooth line: a real breath of fresh air.

Born in Argentina and a citizen of the world by experience, María Eugenia Luc gives us an excellent sample of the musical auras she has been creating throughout her career.

It takes a lifetime to deliver to a society as stubborn as the one that surrounds us an act of generosity of the caliber contained within the confines of a compact disc.

The imagination of Argentine composer María Eugenia Luc contains a wide palette of textures in which it is easy to fantasize about atmospheres and sensations.

A brilliant musical product that sounds fundamentally European and familiar in its use of rhythms, intervals, atmospheric and subtle timbres.

The two remaining concerts in the Bilbao Symphony Orchestra's season offer significant attractions.

Yun, who started from the most ethereal and dispersed to gradually approach a definition of sound and create an interesting sound world.

María Eugenia Luc's “Yun” is an extraordinary exercise in delicacy, in which the sound always seemed on the verge of breaking in its own internal breath.

There was also a more mathematical and scientific proposal with Shen by María Eugenia Luc, based on Taoist principles and fractal structures.

Completely different was María Eugenia Luc's “Silencio blanco,” a dramatic, passionate work in which the Argentine composer's experience and skill in the use of the orchestra could be appreciated.

ScherzoXi magazine, by Maria Eugenia Luc, founder of the Ensemble and now its artistic director, is a work inspired by Orientalism, but without any hint of exoticism.

This work, based on the Apocalypse of Saint John, has a very interesting structure and an intelligent and varied soundscape.

It is not easy to review a concert like Thursday's, featuring a single musician, and a flutist at that.

Of the five works in the program, perhaps the last work by María Eugenia Luc stood out.

In Tan Fugaz by María Eugenia Luc (1958), we will highlight the rich timbre of its instrumentation.